Ebook Unholy Bible, The: Hebrew Literature of the Kingdom Period (New Autonomy Series), by Jacob Rabinowitz

Ebook Unholy Bible, The: Hebrew Literature of the Kingdom Period (New Autonomy Series), by Jacob Rabinowitz

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Unholy Bible, The: Hebrew Literature of the Kingdom Period (New Autonomy Series), by Jacob Rabinowitz

Unholy Bible, The: Hebrew Literature of the Kingdom Period (New Autonomy Series), by Jacob Rabinowitz


Unholy Bible, The: Hebrew Literature of the Kingdom Period (New Autonomy Series), by Jacob Rabinowitz


Ebook Unholy Bible, The: Hebrew Literature of the Kingdom Period (New Autonomy Series), by Jacob Rabinowitz

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Unholy Bible, The: Hebrew Literature of the Kingdom Period (New Autonomy Series), by Jacob Rabinowitz

About the Author

Necrophilic classical polymath Jacob Rabinowitz took a recent look at biblical texts available in English translation and found them wanting. The Unholy Bible contains his retranslation of the most egregiously Bowdlerized texts. These new versions (get a load of that penis on Behemoth!) are intended to make Good King James, Jesse Falwell, Mother Theresa and other sanctimonious hegemonists of That Old Time Religion froth at the mouth and jump into the sea. At the very least, he will disrupt their dreams.

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Product details

Series: New Autonomy Series

Paperback: 160 pages

Publisher: Autonomedia (June 1, 1998)

Language: English

ISBN-10: 1570270155

ISBN-13: 978-1570270154

Product Dimensions:

4.5 x 0.4 x 6.9 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#2,311,082 in Books (See Top 100 in Books)

I recently received this book and I was initially disappointed by how small it is but I have thoroughly enjoyed reading its contents. I don't see what is objectionable concerning the author's translations. The translated works are fairly accurate but aren't as radical as the title and description of the book make it appear. I wish that the author would have given explanatory notes explaining the rational behind some of his decisions in the translating process. I do recommend this booklet as it is a fresh read. This is especially true when it comes do his work of Job.

This is a wonderful book that seeks to point out the influence of post Alexander Greek thought on the Jewish Temple religion - and of course, later Christianity.Those who read the new testament in Greek are well aware that it is nothing like the King James Version. These translations point out some of the distortions in the old testament that have turned people away from the truth of the religion of Moses. This book should be better known, it is truly a wonderful and inspiring work.

If Youngs Literal Translation adds colors to your understandings, then this adds articulate Art in textual illustration.

This short book of some 150 pages is a new translation of the Song of Solomon, of sections of the Book of Psalms, of the Lamentations of Jeremiah, of the Book of Job and of the Book of Ecclesiastes. The reason for it is stated on the tile page: "The `Secular' Literature of the Hebrew Kingdom and Second Commonwealth, Incorporated into the Bible and Whitewashed into a Pious Appearance in all Available Translations and Traditional Commentaries."Rabinowitz writes that Rabbinic Judaism felt the need to sacralize these originally earthy texts in their commentaries, so that, for example, love in the Song of Solomon is taken to symbolize the love of God, and this has led translators and commentators to accommodate these viewpoints, in addition to being squeamishly mistranslating words that offended against "modesty", often to the point where the text becomes unintelligible. Rabinowitz's version of Job 40:17 is not the King James' version - "He [the Behemoth] moveth his tail like a cedar: the sinews of his stones are wrapped together", but "His penis is tough and supple as a cedar, his boiler-plate scrotum hugs a pair of cannonballs".His translation of the suffering in the first few verses of Chapter 3 of Lamentations is more savage than in the King James' version; and "I was a derision to all my people" (vs.14) becomes "the people of the world laughed and told each other Jew-jokes." I don't know Hebrew, so I wonder whether there no reference to the "I" in the original. Startlingly, his translation of Psalm 23 not only misses all the grandeur of the King James' Bible, but I can find no equivalent for "Thou preparest a table before me in the presence of mine enemies". Again I wonder whether there are really neither "table" nor "enemies" in the original. Have the earlier translators taken liberties here, or has Rabinowitz?Of course even an accurate translation can mystify if we do not know, for example, that in Biblical times pottery was cheap and the skins on which texts were written were very expensive, so that the cheap pottery in Chapter 4 of the Book of Lamentation was a throw-away item, the equivalent of paper today. Elsewhere Rabinowitz incorporates an explanation into the text itself, explaining the phrase "like ostriches in the desert" as "like the desert ostrich that lays and leaves its eggs on the ground to be crushed under every foot."The King James Version has Job say (19:23-26) "Oh that my words were now written! Oh that they were printed in a book! That they were graven with an iron pen and lead in the rock forever. I know that my redeemer liveth and that he shall stand at the latter day upon the earth: and though after my skin worms destroy this body, yet in my flesh shall I see God.". Rabinowitz has "If only my words were written down, inscribed in the pages of a book, writ with iron pen, cut into sheets of lead, hewn forever into stone! I'd know I have a living witness, lasting past, standing up for me on earth, so when this body wrecks and rots I could, with my words, still stare back accusingly at God." Nothing about a Redeemer here, with its Christian overtones, to suggest that God "will make all fine!"Sometimes his versions are inelegant: "My life is a too-full cup" for "my cup runneth over" (Ps.23); or "My flesh and skin hath he made old; he hath broken my bones. He hath builded against me with gall and travail. He hath set me in dark places as they that be dead of old" becoming "My bones were showing under wasted muscles, thinning skin - he broke them. I have nothing left. All around me, Impossibility, a wall. Am I dead and is this nothingness , the God-apart noplace [sic] dark" - (Lamentations 3: 4-6).I am not qualified to assess this or earlier translations; all I can say is that the translations often read fresh, vigorous and comprehensible and strip away the layers of rabbinical piety which have influenced even the scholars who engaged in Higher Criticism.

I love this book. I am a practicing Jew, and I am not disturbed by the content of this book. I think it is likely that the author himself wouldn't have endorsed the packaging autonomedia gave this text; when you read the introduction you don't sense an author intent on tearing down this text and revealing all the nasty bits (although he certainly won't avoid sexulaity or the various names of the deity). Rather we read the words of a man who believes that these are beautiful texts which have been misrepresented. Rabinowtz works with the skills of a poet. His style is interprative; he will change metaphors to make them more understandable to modern readers. I am especially fond of the text of Ecclesiastes

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